Below are Mo Money’s top films of 2017 only including films that premiered anywhere in the world in the calendar year.
2017 was a great year for movies. The fact that a number of good films by directors I love (Sofia Coppola, Henrique Couto, Edgar Wright, etc.) didn’t make the list shows that there was abundance of good films. At the same time, I didn’t fall head over heels in love with critically acclaimed films and audience favorites like Get Out, Star Wars: Episode VIII-The Last Jedi, Girls Trip, and others. I feel myself increasingly distant from mainstream tastes as I age. There remains numerous films released in 2017 that I would like to see, particularly On Body and Soul and Zama, but couldn’t due to diverse reasons so as always this list may change in the future.
1.) Faces Places
Agnès Varda’s latest film follows her and co-director JR, a young artist who makes murals out of photographs, as they travel to small towns throughout France. It is a great look into Varda’s career and friendships for those new to her oeuvre and those who have followed her work for years. The ending, after Jean-Luc Godard snubs their visit, is a great reminder on how wondrous and impactful cinema remains in 2017. Continue reading
These are Big B’s top ten films of 2017.
10) I Am Evidence – directed by Geeta Gandbhir and Trish Adlesic
I Am Evidence is a clear, poignant exploration of an issue that needs more attention: the epidemic of untested rape kits in American cities. Most importantly, I Am Evidence focuses on specific steps that cities can take to resolve this problem. This documentary tries hard to make itself unnecessary by aggressively targeting sensible solutions to the problems highlighted during the documentary’s opening moments. I Am Evidence is concerned with progress, not proceeds—but I hope it gets both.
Writer Manohla Dargis is a skilled film critic. Most of her reviews are filled with astute observations and nuanced recommendations.
Her recent review of Justice League, however, is wrong.
Here’s why. Continue reading
This article contains spoilers.
We are defeated. On a good day, we can ignore that fact. But it is still true. The good team lost.
That is the spirit of Justice League‘s opening scenes. Norwegian singer and songwriter Sigrid sings a more earnest, mournful version of Leonard Cohen’s “Everybody Knows” as audiences view a melancholic montage of troublesome images, beginning with Superman’s funeral and progressing through scenes of realistic social injustice. A white man harasses Muslim shopkeepers, and a homeless man sits quietly behind a small sign that reads “I tried.” Sigrid’s smooth voice bellows over haunting, repetitive piano riffs: “Everybody knows the fight was fixed / The poor stay poor, the rich get rich / That’s how it goes / Everybody knows.” This glossy, semi-grayscale, post-Superman world is bitter and scared. As a reporter notes, “The world remains in mourning . . .” Continue reading
Hello and welcome to Jeremiah Trotter’s top 10 movies of 2016. Now, let’s be clear: these are the top 10 movies that I enjoyed the most from 2016… that I saw. So, of course you will have different opinions and different ideas of what is “the best” of 2016, but maybe you discover something on this list that you’d like to check out. And I’m definitely not opposed to debating the merits of individual films. Anyway, let me know how you feel in the comments if you get the urge. Continue reading
Below is your guide to the science fiction, fantasy, and superhero films of 2017—complete with trailers, release dates, pros and cons, and an Excitement Rating that quantifies Big B’s interest in each film.
The Lego Batman Movie – February 10th – Warner Animation Group & DC Entertainment
Pro: the possibility that Will Arnett will be the best Batman yet; the realization that this movie is essentially an animated amalgam of all the Batman memes that exist on the Internet Continue reading
Below are Mo Money’s top films of 2016 excluding movies that originally premiered in 2015 outside of the United States.
1.) The Love Witch
This isn’t camp or kitsch; this is a feminist thesis in the guise of a murderous witch film. Anna Biller took years writing this film after Viva, and the end result was worth the wait. If you don’t know her work, fix it! Continue reading
Below are Big B’s top films of 2016.
1) Hunt for the Wilderpeople
It’s a heartwarming adventure-comedy about two outcasts from different worlds, and I love it. Clever, concise, and nuanced. Watch this movie. Continue reading
I’m a huge super-hero fan and one of my first introductions into actually reading comics was the Civil War event. The political stand-off and the idea that heroes could disagree and fight against each other in such a grand way, disagreeing over basic beliefs, was enticing to me. So, of course, I’m excited to see them try something similar in the MCU. Though, there is no way they can replicate the true scale of the crossover; I think that Captain America: Civil War has touched on something remarkable in the interaction of its heroes that makes this movie shine, even if the source material’s depth was hard to live up to.
The action in this movie was visceral and intense. The film allowed the heroes to use their powers and abilities to the fullest. Even from the start, we saw some awesome combo attacks and a wide range of new abilities and intense action scenes that are absolutely the best in the genre so far, and as the film progressed it only got better. In terms of action, if you were upset by the slow pace and low choreography of some other superhero films, this is definitely not an area where Civil War will disappoint. Continue reading
THIS ARTICLE CONTAINS SPOILERS.
Many reviews of Batman v Superman: Dawn of Justice seem to forget one fact: Zack Snyder has a distinct directorial style. As I’ve noted before, anyone who buys a ticket for any film by the director of 300 and Sucker Punch—which includes Batman v Superman—and is offended by the lack of subtlety and Loki-style humor has not considered Snyder’s reputation as a director.
A director’s signature style matters. I would not see a Tarantino movie if I wanted a kid-friendly romantic comedy; I would not expect a film by Sam Mendes to highlight the positive qualities of suburbia; and I would not look for Spaceballs-style comedy in an Iñárritu film. Zack Snyder was never going to allow Batman v Superman to look or feel like Joss Whedon’s lighthearted and arguably formulaic Avengers films.
Below are ten reasons why Batman v Superman: Dawn of Justice is an entertaining and impressive movie.
1. The Opening Scenes
Critics enjoy mocking the excessiveness of Superman’s Metropolis-based battle against Zod in Man of Steel. Shortly after the movie premiered, the hazard-assessment team at Watson Technical Consulting quantified the damage. According to the team, “in terms of the strictly physical damage done to the city, the initial estimate is $700 billion.” And the death count is equally striking: “129,000 known killed, over 250,000 missing (most of whom would have also died), and nearly a million injured.” Many moviegoers look at these numbers with disgust.
So does Batman. Continue reading