Movies impact us.
In 2016, I argued that if “movies can impact a moviegoer’s worldview (by stimulating creativity, encouraging empathy, and raising awareness), then moviegoers should thoughtfully consider which movies they choose to watch.” And I stand by that argument.
But now, in 2019, I offer two clarifications: Continue reading
Below are Mo’ Money’s top films of 2018 only including films that premiered anywhere in the world in the calendar year.
2018 was a great year for me, but one way that it really shone was all the great movies I was able to access via streaming and physical media. My war against theaters continues, and yet I was able to see 57 movies that premiered in 2018 including a number of independent Midwestern productions. While I missed a lot of films that only played in festivals or haven’t released in the United States yet, and my list may change over the years, I believe the following movies are great and worth watching if you can access them. Continue reading
Old year old me. This is Jeremiah Trotter, coming at you with my recap of this year’s best movies.
Top Movies of 2018 List: Continue reading
These movies explore a variety of topics, and MPAA ratings vary. Not all movies are suitable for all audiences.
Here are Big B’s top ten movies of 2018:
Full disclosure: I have had numerous conversations with John Oak Dalton about Indiana films, and received a screener of the film prior to the premiere at the Hoosierdance International Film Festival in Kokomo (it plays on September 14-15, 2018). The film is finished except for a few audio tweaks. I may update this review when the final release is available.
John Oak Dalton’s directorial debut, The Girl in the Crawlspace, is an interesting marriage of Indiana cinema and Ohioan cinema. John Oak Dalton began his film career with support from the late African-American, Indianapolis-based director Ivan Rogers and even did some editorial work in Rogers’ Forgive Me Father (2001). He has spent most of his career writing numerous screenplays mostly for the Polonia Brothers and Dayton’s Henrique Couto who produced this works. It stars mostly Ohio talent, but was largely shot in Indiana (Mooreland and Farmland) with some footage shot in New Lebanon, OH, which is the location for Couto’s Calamity Jane’s Revenge (2015). Continue reading
“What is your favorite superhero film?”
Seemed like a simple question. Easy enough to answer.
Then I began to compile a list of all of the superhero movies I’ve seen. And when that list grew larger than 90 movies (watched over many, many years), I panicked. “Damn. What is my favorite superhero film? Could I even narrow it down to a top ten?” Continue reading
Chicago is home to a lot of film history. A number of big-budgeted films were shot in full or in part in the city. The School of the Art Institute of Chicago’s film program is where art house directors, like Apichatpong Weerasethakul, honed their craft. But the type of Chicago film history that is most overlooked is the output of regional filmmakers making low-budget, independent films like H.G. Lewis or Joe Swanberg. Jason Coffmann’s feature debut, Housesitters (2018), belongs to this latter category and is a mix between a stoner comedy and monster movie. If you are adventurous, and willing to look outside of major production locations like L.A. and New York, then you may have a great time with this comedy. Continue reading
This is my top seven movies of 2017. I’ve decided to do a top seven because this is the number of movies that were a step above everything else I saw this year. This is an opinion piece of what I enjoyed the most out of the year, so take from it what you will. But I think each one of these films is worth looking at and you should too. So, here are my favorite movies of 2017.
Below are Mo Money’s top films of 2017 only including films that premiered anywhere in the world in the calendar year.
2017 was a great year for movies. The fact that a number of good films by directors I love (Sofia Coppola, Henrique Couto, Edgar Wright, etc.) didn’t make the list shows that there was abundance of good films. At the same time, I didn’t fall head over heels in love with critically acclaimed films and audience favorites like Get Out, Star Wars: Episode VIII-The Last Jedi, Girls Trip, and others. I feel myself increasingly distant from mainstream tastes as I age. There remains numerous films released in 2017 that I would like to see, particularly On Body and Soul and Zama, but couldn’t due to diverse reasons so as always this list may change in the future.
1.) Faces Places
Agnès Varda’s latest film follows her and co-director JR, a young artist who makes murals out of photographs, as they travel to small towns throughout France. It is a great look into Varda’s career and friendships for those new to her oeuvre and those who have followed her work for years. The ending, after Jean-Luc Godard snubs their visit, is a great reminder on how wondrous and impactful cinema remains in 2017. Continue reading
These are Big B’s top ten films of 2017.
10) I Am Evidence – directed by Geeta Gandbhir and Trish Adlesic
I Am Evidence is a clear, poignant exploration of an issue that needs more attention: the epidemic of untested rape kits in American cities. Most importantly, I Am Evidence focuses on specific steps that cities can take to resolve this problem. This documentary tries hard to make itself unnecessary by aggressively targeting sensible solutions to the problems highlighted during the documentary’s opening moments. I Am Evidence is concerned with progress, not proceeds—but I hope it gets both.