I was silent during the post-film Q&A. Like many in the audience, it took some time for me to emotionally and intellectually process the information I had just received.
In the fight against climate change, only a few things offer comfort: the semi-frequent construction of wind farms, the increasingly busy solar panel market, and the slow-but-steady decline of our dependence on coal.
But what if those things were not helping us? What if they were, in fact, causing new problems? What if our current green solutions were just as black as coal? Continue reading
Captain Marvel is a Marvel installment directed by Anna Boden and Ryan Fleck. It stars Brie Larson in her debut as Captain Marvel and is groundbreaking in that it’s Marvel’s first film to star a female superhero. The first thing I want to say is that this movie is good. I’ve been watching reviews since I saw it, and I’ve found myself confused and bewildered by the response to the film and the critiques I’ve seen. So, I just want to go on the record and say that this film is great and the article is going to read more as a rebuttal to some stuff I’ve seen that’s confusing me. Continue reading
Movies impact us.
In 2016, I argued that if “movies can impact a moviegoer’s worldview (by stimulating creativity, encouraging empathy, and raising awareness), then moviegoers should thoughtfully consider which movies they choose to watch.” And I stand by that argument.
But now, in 2019, I offer two clarifications: Continue reading
Below are Mo’ Money’s top films of 2018 only including films that premiered anywhere in the world in the calendar year.
2018 was a great year for me, but one way that it really shone was all the great movies I was able to access via streaming and physical media. My war against theaters continues, and yet I was able to see 57 movies that premiered in 2018 including a number of independent Midwestern productions. While I missed a lot of films that only played in festivals or haven’t released in the United States yet, and my list may change over the years, I believe the following movies are great and worth watching if you can access them. Continue reading
Old year old me. This is Jeremiah Trotter, coming at you with my recap of this year’s best movies.
Top Movies of 2018 List: Continue reading
These movies explore a variety of topics, and MPAA ratings vary. Not all movies are suitable for all audiences.
Here are Big B’s top ten movies of 2018:
Full disclosure: I have had numerous conversations with John Oak Dalton about Indiana films, and received a screener of the film prior to the premiere at the Hoosierdance International Film Festival in Kokomo (it plays on September 14-15, 2018). The film is finished except for a few audio tweaks. I may update this review when the final release is available.
John Oak Dalton’s directorial debut, The Girl in the Crawlspace, is an interesting marriage of Indiana cinema and Ohioan cinema. John Oak Dalton began his film career with support from the late African-American, Indianapolis-based director Ivan Rogers and even did some editorial work in Rogers’ Forgive Me Father (2001). He has spent most of his career writing numerous screenplays mostly for the Polonia Brothers and Dayton’s Henrique Couto who produced this works. It stars mostly Ohio talent, but was largely shot in Indiana (Mooreland and Farmland) with some footage shot in New Lebanon, OH, which is the location for Couto’s Calamity Jane’s Revenge (2015). Continue reading
“What is your favorite superhero film?”
Seemed like a simple question. Easy enough to answer.
Then I began to compile a list of all of the superhero movies I’ve seen. And when that list grew larger than 90 movies (watched over many, many years), I panicked. “Damn. What is my favorite superhero film? Could I even narrow it down to a top ten?” Continue reading
Chicago is home to a lot of film history. A number of big-budgeted films were shot in full or in part in the city. The School of the Art Institute of Chicago’s film program is where art house directors, like Apichatpong Weerasethakul, honed their craft. But the type of Chicago film history that is most overlooked is the output of regional filmmakers making low-budget, independent films like H.G. Lewis or Joe Swanberg. Jason Coffmann’s feature debut, Housesitters (2018), belongs to this latter category and is a mix between a stoner comedy and monster movie. If you are adventurous, and willing to look outside of major production locations like L.A. and New York, then you may have a great time with this comedy. Continue reading
This is my top seven movies of 2017. I’ve decided to do a top seven because this is the number of movies that were a step above everything else I saw this year. This is an opinion piece of what I enjoyed the most out of the year, so take from it what you will. But I think each one of these films is worth looking at and you should too. So, here are my favorite movies of 2017.