This is Jeremiah back with a top 9 movies that I loved most out of the 40 movies that I saw this year. As always this isn’t ranking every movie that came out this year since I clearly missed a lot of movies that came out, but instead its me telling you that these movies right here are amazing and you should check them out.
Captain Marvel Continue reading →
MPAA ratings vary. Not all movies are suitable for all audiences.
10. Picture Character – directed by Ian Cheney and Martha Shane
I saw Picture Character at the Traverse City Film Festival, and an older man seated in front of me did not appreciate this movie. He peppered his movie-watching experience with a variety of muttered comments—”Oh my god,” “This is ridiculous,” “I can’t watch this”—designed to communicate his dissatisfaction to everyone seated near him. And the man, apparently a perfectionist, was not willing to subject his comments to misinterpretation: twenty minutes before the end of the movie, he stood up and left the movie theater, mumbling incoherently as he shuffled his way toward the aisle in the dark. A grand display of angry incredulity. 🙄 Continue reading →
I was silent during the post-film Q&A. Like many in the audience, it took some time for me to emotionally and intellectually process the information I had just received.
In the fight against climate change, only a few things offer comfort: the semi-frequent construction of wind farms, the increasingly busy solar panel market, and the slow-but-steady decline of our dependence on coal.
But what if those things were not helping us? What if they were, in fact, causing new problems? What if our current green solutions were just as black as coal? Continue reading →
Captain Marvel is a Marvel installment directed by Anna Boden and Ryan Fleck. It stars Brie Larson in her debut as Captain Marvel and is groundbreaking in that it’s Marvel’s first film to star a female superhero. The first thing I want to say is that this movie is good. I’ve been watching reviews since I saw it, and I’ve found myself confused and bewildered by the response to the film and the critiques I’ve seen. So, I just want to go on the record and say that this film is great and the article is going to read more as a rebuttal to some stuff I’ve seen that’s confusing me. Continue reading →
Movies impact us.
In 2016, I argued that if “movies can impact a moviegoer’s worldview (by stimulating creativity, encouraging empathy, and raising awareness), then moviegoers should thoughtfully consider which movies they choose to watch.” And I stand by that argument.
But now, in 2019, I offer two clarifications: Continue reading →
Below are Mo’ Money’s top films of 2018 only including films that premiered anywhere in the world in the calendar year.
2018 was a great year for me, but one way that it really shone was all the great movies I was able to access via streaming and physical media. My war against theaters continues, and yet I was able to see 57 movies that premiered in 2018 including a number of independent Midwestern productions. While I missed a lot of films that only played in festivals or haven’t released in the United States yet, and my list may change over the years, I believe the following movies are great and worth watching if you can access them. Continue reading →
Old year old me. This is Jeremiah Trotter, coming at you with my recap of this year’s best movies.
Top Movies of 2018 List: Continue reading →
These movies explore a variety of topics, and MPAA ratings vary. Not all movies are suitable for all audiences.
Here are Big B’s top ten movies of 2018:
Continue reading →
Full disclosure: I have had numerous conversations with John Oak Dalton about Indiana films, and received a screener of the film prior to the premiere at the Hoosierdance International Film Festival in Kokomo (it plays on September 14-15, 2018). The film is finished except for a few audio tweaks. I may update this review when the final release is available.
John Oak Dalton’s directorial debut, The Girl in the Crawlspace, is an interesting marriage of Indiana cinema and Ohioan cinema. John Oak Dalton began his film career with support from the late African-American, Indianapolis-based director Ivan Rogers and even did some editorial work in Rogers’ Forgive Me Father (2001). He has spent most of his career writing numerous screenplays mostly for the Polonia Brothers and Dayton’s Henrique Couto who produced this works. It stars mostly Ohio talent, but was largely shot in Indiana (Mooreland and Farmland) with some footage shot in New Lebanon, OH, which is the location for Couto’s Calamity Jane’s Revenge (2015). Continue reading →
“What is your favorite superhero film?”
Seemed like a simple question. Easy enough to answer.
Then I began to compile a list of all of the superhero movies I’ve seen. And when that list grew larger than 90 movies (watched over many, many years), I panicked. “Damn. What is my favorite superhero film? Could I even narrow it down to a top ten?” Continue reading →