
Writer Manohla Dargis is a skilled film critic. Most of her reviews are filled with astute observations and nuanced recommendations.
Her recent review of Justice League, however, is wrong.
Here’s why. Continue reading
Writer Manohla Dargis is a skilled film critic. Most of her reviews are filled with astute observations and nuanced recommendations.
Her recent review of Justice League, however, is wrong.
Here’s why. Continue reading
This article contains spoilers.
We are defeated. On a good day, we can ignore that fact. But it is still true. The good team lost.
That is the spirit of Justice League‘s opening scenes. Norwegian singer and songwriter Sigrid sings a more earnest, mournful version of Leonard Cohen’s “Everybody Knows” as audiences view a melancholic montage of troublesome images, beginning with Superman’s funeral and progressing through scenes of realistic social injustice. A white man harasses Muslim shopkeepers, and a homeless man sits quietly behind a small sign that reads “I tried.” Sigrid’s smooth voice bellows over haunting, repetitive piano riffs: “Everybody knows the fight was fixed / The poor stay poor, the rich get rich / That’s how it goes / Everybody knows.” This glossy, semi-grayscale, post-Superman world is bitter and scared. As a reporter notes, “The world remains in mourning . . .” Continue reading