This is my top seven movies of 2017. I’ve decided to do a top seven because this is the number of movies that were a step above everything else I saw this year. This is an opinion piece of what I enjoyed the most out of the year, so take from it what you will. But I think each one of these films is worth looking at and you should too. So, here are my favorite movies of 2017.
Below are Mo Money’s top films of 2017 only including films that premiered anywhere in the world in the calendar year.
2017 was a great year for movies. The fact that a number of good films by directors I love (Sofia Coppola, Henrique Couto, Edgar Wright, etc.) didn’t make the list shows that there was abundance of good films. At the same time, I didn’t fall head over heels in love with critically acclaimed films and audience favorites like Get Out, Star Wars: Episode VIII-The Last Jedi, Girls Trip, and others. I feel myself increasingly distant from mainstream tastes as I age. There remains numerous films released in 2017 that I would like to see, particularly On Body and Soul and Zama, but couldn’t due to diverse reasons so as always this list may change in the future.
1.) Faces Places
Agnès Varda’s latest film follows her and co-director JR, a young artist who makes murals out of photographs, as they travel to small towns throughout France. It is a great look into Varda’s career and friendships for those new to her oeuvre and those who have followed her work for years. The ending, after Jean-Luc Godard snubs their visit, is a great reminder on how wondrous and impactful cinema remains in 2017. Continue reading
These are Big B’s top ten films of 2017.
10) I Am Evidence – directed by Geeta Gandbhir and Trish Adlesic
I Am Evidence is a clear, poignant exploration of an issue that needs more attention: the epidemic of untested rape kits in American cities. Most importantly, I Am Evidence focuses on specific steps that cities can take to resolve this problem. This documentary tries hard to make itself unnecessary by aggressively targeting sensible solutions to the problems highlighted during the documentary’s opening moments. I Am Evidence is concerned with progress, not proceeds—but I hope it gets both.
Writer Manohla Dargis is a skilled film critic. Most of her reviews are filled with astute observations and nuanced recommendations.
Her recent review of Justice League, however, is wrong.
Here’s why. Continue reading
This article contains spoilers.
We are defeated. On a good day, we can ignore that fact. But it is still true. The good team lost.
That is the spirit of Justice League‘s opening scenes. Norwegian singer and songwriter Sigrid sings a more earnest, mournful version of Leonard Cohen’s “Everybody Knows” as audiences view a melancholic montage of troublesome images, beginning with Superman’s funeral and progressing through scenes of realistic social injustice. A white man harasses Muslim shopkeepers, and a homeless man sits quietly behind a small sign that reads “I tried.” Sigrid’s smooth voice bellows over haunting, repetitive piano riffs: “Everybody knows the fight was fixed / The poor stay poor, the rich get rich / That’s how it goes / Everybody knows.” This glossy, semi-grayscale, post-Superman world is bitter and scared. As a reporter notes, “The world remains in mourning . . .” Continue reading
Warning: Article contains links to pages that contain profanity and offensive content.
At 7:45 PM on June 15th, Twitch streamer and Twitter user Ashley “ashleeeeean” Leann posted this tweet:
The Twitch mixer was a get-together on Wednesday, June 14th for Twitch streamers at the Electronic Entertainment Expo (E3), a gathering of gamers and game developers in Los Angeles. Around 20 hours had passed since friends, family, and social media followers had heard from Twitch streamer and GEXCon host Tia “LauraLania” Zimmer, so ashleeeeean decided, as she described in a video on Twitter, to use “my platform and my following to be able to get the word out there.”
“I did not expect it to blow up as much as it did,” she added. Continue reading
Like a birthday spent at the dentist’s office, this year’s Teacher Appreciation Week exists amid a surge of legislative halitosis and biting commentary designed to undermine teachers, and I believe, fellow teachers, that it is our right—even our obligation—to reclaim Teacher Appreciation Week by brushing off this orange plaque with a bit of bristly, humility-trumping candor. Continue reading
It’s fairly early in the year, but I think I’ve already found a show that will end up making my top shows when December comes. 13 Reasons Why is a Netflix original show created by Brian Yorkey and starring Katherine Langford and Dylan Minnette, and it’s a doozy that’s definitely not for everyone. There is a controversy around this show that I will discuss after my general evaluation in an afterword, but I really don’t want that to get in the way of the merits of the show itself. This is the story about teen suicide and bullying. It’s the story of a high school girl who, through a number of circumstances, decides to commit suicide. The twist to this comes when it’s revealed that she has recorded tapes naming twelve people responsible for her decision and sends them around through a mutual friend to these people, forcing them to hear her story. Continue reading
Iron Fist, the final Defenders-related show before the big team-up event in Marvel’s Netflix universe, has arrived. I’ve loved most things about the Marvel Netflix universe since its premiere with Daredevil, but they can’t all be winners. I was excited to crack open Iron Fist with a buddy of mine, but it falls short of the bar set by previous Marvel Netflix shows and even further still below the bar for a cohesive show in general. I’m not sure what went wrong, but Iron Fist is a failure of writing, acting, special effects and, probably the worst offense for a martial arts hero, choreography. I just don’t know how they made such a huge mistake here. Continue reading
Honorable Mention: La La Land