This is a big show. I’ve heard about it from many sources before I started, and I must admit that the hype did not prepare me in the slightest. I believe this is one of the most amazing political shows since The West Wing, though I wouldn’t say it shares the tone or optimism of Aaron Sorkin’s classic. Quite the contrary, this is a bleak look at American politics that takes your idea of what politics and personal morality is an twists it into a system where only perception matters. However, no matter how absurd the plots and politics get I can’t deny the genuine portrayal of corruption in both what a character could be and what a person could be made to be comfortable with. This is a show which allows you the chance to truly relate with devils, and I can’t praise the acting and the writers enough. Continue reading
Netflix assumes that I want to skip opening credit sequences, which isn’t true. Yes, Netflix, I have been binge-watching Marvel’s Daredevil for the past six hours, but I still want to see the melting maroon wax (or blood?) statue of Lady Justice turn slowly as the eerie cadence of high notes fights with the low, booming bass sounds that slowly intensify beneath them. It gets me in the mood.
A title sequence is an emotional trigger, and I appreciate the opportunity to mentally prepare myself for the narrative that follows. This article contains an analysis of some of the more musically intriguing and visually engaging opening sequences. Obviously, some opening credit sequences, like those of The Simpsons and The Fresh Prince of Bel-Air, are well-established classics, so I will not discuss those below. Other title sequences feature brilliant theme music but do not offer much in terms of visuals, like those of Firefly and Battlestar Galactica. Even the simple melodies of shows like Scrubs and Gilmore Girls work well as triggers of nostalgia and empathy, but they will not appear below.
Other classic intro sequences that will not be discussed here: the concise opening of The Twilight Zone, the friendly notes of Cheers, the mission statement of Star Trek, the Big History explanations of The Big Bang Theory, and the catchy expositional songs of The Brady Bunch and Gilligan’s Island.
Dexter Continue reading