When modern pop cinema replaced heart-of-gold rebel archetypes with more multifaceted characters, where did the archetypes go? When Disney seemed to shift their focus from High School Musical-style films to more elaborate plots, where did the teen soap opera storylines go? When tween, teen, and young adult films began to offer more ethnically and economically diverse characters, where did the old racially stereotypical ensembles go?
They went to Prom.
Prom is a collection of all the outdated elements of popular teen film. Star-crossed lovers without depth. Random bursts of hormonal emotion. Smug, out-of-context attempts at wit. A disheartening lack of interracial couples. This repository of outcast archetypes boldly attempts to unravel years of social and cinematic progress.
In fact, the only somewhat unique character in Prom is Rolo, a curly-haired stoner who may or may not have a career in adult film. After spending the majority of the film casually responding to accusations that Athena, his Greek girlfriend from Canada, is not real, Rolo steals the show when he enters the prom-filled auditorium with a supermodel at his side. This spectacular entrance fascinates the other Prom characters and adds fuel to the idea that the Prom Committee may not be Rolo’s only extracurricular activity.
Sydney White, 17 Again, and even Camp Rock 2: The Final Jam (yes, the sequel) have more inherent entertainment value than the visually pleasing, regurgitated drama-slush of Prom.
Thank goodness for Rolo.
Joe Nussbaum: Director
Katie Wech: Writer
Aimee Teegarden, Thomas McDonell, DeVaughn Nixon: Stars